Tell me about how you found out about this story and how you got involved with "Chevalier." The following interview has been lightly edited for clarity and length. Watch the "Salon Talks" episode with Lucy Boynton here. "The less you know about me, the more you are able to believe the characters and just take them as they are," she says, "rather than seeing Lucy dressing up." The darkness is something that appeals to Boynton, who's carved a niche for herself as a period piece horror star in projects like "The Pale Blue Eye" and "I Am the Pretty Thing That Lives In the House."Īnd while the actor, who has traveled from Renaissance Italy (in "Borgia") to 1970s London ( in "Bohemian Rhapsody") for her roles, loves the "time travel" aspect of her job, she's happy to jump into the present now and then, like her recent turn in "The Politician." But whoever she's playing, she'd rather keep herself a little mysterious. For Boynton, it was a chance to explore "a much darker side" of the woman behind the "Let them eat cake" myth. In director Stephen Williams' biopic of Joseph Bologne, the enigmatic 18th-century artist sometimes referred to as the Black Mozart, the French queen gets a more complicated - but not revisionist - treatment as we see the effects of her patronage on the young musician and composer. "Then was kind of ashamed that I had had this narrow view of her and this very misunderstood view of her." "I questioned if we needed a voice like hers right now," Lucy Boynton said on "Salon Talks." In a career studded with period dramas and a whole lot of corsets - "Too many corsets" - she says, the English actor was a little hesitant to take on the ultimate bewigged and bejeweled figure of western history, Marie Antoinette, for the new movie "Chevalier." "I had a really specific preconceived idea of her," she admitted during our conversation.
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